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His counterculture work was syndicated in more than 80 newspapers across America, Europe, Asia and Australia.
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He became a celebrated editorial cartoonist for underground newspapers after submitting cartoons to the Los Angeles Free Press, which in the 1960s was operating out of the basement of the Fifth Estate coffee house on the Sunset Strip. She sent off an invoice to Universal and received an envelope with a check inside for more than $400,000.įor the rest of his life, Cobb was asked by friends, “What did you do on E.T.?” His reply was, “I didn’t direct it.”Ĭobb began his career at Disney at age 17 as an “inbetweener” animator on Sleeping Beauty (1959).
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Later, Cobb’s wife noticed that there was a $7,500 “kill fee” in his Night Skies contract - plus 1 percent of the net profits - should he not get to direct the movie. When the family threatened to sue to stop the making of the movie, Cobb offered to write a comparable idea, and the last scene of his story was to show an alien that is marooned on Earth.
So impressed was Spielberg that he suggested Cobb direct his future film Night Skies, a retelling of an infamous 1955 incident in Kentucky in which a family claimed to have had an encounter with five aliens at their farmhouse. “I would suggest angles, ideas, verbalize the act of directing - ‘Let’s do this and do that, and we could shoot over his shoulder and then a close-up of the shadow,’ ” Cobb told the Los Angeles Times in 1988. It was while working as a production designer on John Milius’ Conan the Barbarian that Cobb first met Steven Spielberg, who was working down the hallway at Universal on Raiders of the Lost Ark. My list includes names like Ray's 'Apu Trilogy' and Coppola's 'Godfather' trilogy and of course Zemeckis's 'Back To The Future' movies.His prolific design work also included the breathing tanks and helmets in The Abyss (1989), the Omega Sector logo and the H bombs in True Lies (1990) , the interior of the Mothership and the stranded tanker in Close Encounters of the Third Kind (1977) and the vehicles of The Last Starfighter (1984). There have been only very few trilogies that have impressed me overall. But, I'm still very pleased with the way it is. The film ends on a delightful note and I would have liked to see more 'Back to The Future' movies. Zemeckis has brilliantly picked up from where the second one ended. This time, Lea Thompson appears as an Irish settler. Clara is the perfect lady for Doc and Steenburgen fits the part like a glove. She and Lloyd are funny and sweet together. Mary Steenburgen delivers a hilariously wonderful performance as the ditsy Clara. Fox and Lloyd continue their roles of the teen hero and the crazy doctor (and it never gets old) but this time there's a new female lead. This third part does differ in the sense that it's set in the West and has less of the futuristic gadgets and gizmos (obviously, since it's not set in the distant future but you'll still see a few including a time-travelling freight train) but it still retains the same energy, a different kind of action and it pays a nice homage to Western classics. It is very well written with rich characters and clever dialogues.
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It's a pity that so many people disliked the third movie because, in my humble opinion, it's a great finale to this fantastic trilogy. They go to the West in 1885 in order to save Doc's life and from then on the Western adventure takes place. Marty and doc are back, but in another time.